Nieuws

Hybrid conference ”Johannes Stradanus (1523-1605): A Flemish Artist in Florence in the Age of Exploration” on 30 November – 1 December 2023

On the occasion of the exhibition ”Giovanni Stradano. Le più strane e belle invenzioni del mondo”, curated by Alessandra Baroni and held at Palazzo Vecchio in Florence (17 November 2023-18 February 2024), the Netherlands Interuniversity Institute for Art History (NIKI) organises an international conference on Johannes Stradanus and on the many ways in which the artist from Bruges,“with the flowers of his art, made Florence appear even more beautiful” (Van Mander).

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Utrecht Summer School 2024: The Art of Renaissance in Florence and Rome

Florence, originally founded by the Romans, was governed by the Medici family for centuries. Most of them had a passionate interest in painting, sculpture, architecture, and literature. Still Florence keeps an exceptional artistic heritage, which is marvelous evidence of its aged culture. This course offers students the opportunity to study the works of art from the Renaissance period, while staying in Florence.

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Hybrid lecture: “Perugino and the Management of Styles: ‘Andrea d’Assisi’ Reconsidered” on November 7, 2023 at 6PM

On behalf of the Director of the Netherlands Interuniversity Institute for Art History (NIKI), Michael W. Kwakkelstein, we have the pleasure to invite you to the lecture by our scholar-in-residence, Takuma Ito (Associate Professor, Renaissance Art History, Kyushu University, Japan), entitled “Perugino and the Management of Styles: ‘Andrea d’Assisi’ Reconsidered”.

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Dutch Alumni Event in Rome & Milan (8-9 November 2023)

The collaborating Dutch universities: Leiden University, Utrecht University and Vrije Universiteit Amsterdam (VU Amsterdam), along with the Dutch University Institute for Art History in Florence (NIKI) invite alumni from these universities to attend an evening of academic discussion and networking.

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Hybrid conference ”Artists’ Workshop Practice in the Renaissance” on 20-21 September 2023

The conference focuses on the Italian Renaissance artists’ workshop practice. The conference focuses on the Italian Renaissance artists’ workshop practice. While many scholars consider the work made in artists’ workshops and much recent scholarship seeks to attribute the outputs of the assistants of well-known painters and sculptors, there are still many questions concerning quotidian life in the workshop that have attracted little scholarly attention, and about which we know very little – or practically nothing.

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